![crane song phoenix vst crane song phoenix vst](http://www.cranesong.com/image/phoenix_II_page.jpg)
Being that the second harmonic is an octave. These controls are the most difficult to hear and describe.
![crane song phoenix vst crane song phoenix vst](https://i.ytimg.com/vi/q3awnndpT9Q/maxresdefault.jpg)
The next control group generates even harmonic content. Look at the meter, what you should see is a peak reading around -10dbfs but it should be louder with the plug-in engaged as compared to bypass.It is also useful in preventing an occasional over. Set the LOW LEVEL, PEAK and HARDNESS controls to max. The HARDNESS control's soft setting (0) limits the peak to approximately -3dbfs and the hard setting (100) limits peaks to approximately -10dbfs.Īn example to try take a track with a snare drum that peaks in the range of -3dbfs.
![crane song phoenix vst crane song phoenix vst](https://fohonline.com/site/wp-content/uploads/17/11/current-foh/enrique/ENRIQUE-IGLESIAS-01-by-Steve-Jennings.jpg)
The PEAK control rounds off the peaks of the wave shape and has a hardness value that can be changed. The distortion generated by the PEAK controls is third harmonic. They are like an adjustable soft clip, or an amplifier where you have control over how it saturates, but leaves the low level part of the signal alone. The second control group is the PEAK controls. Try is on a vocal and listen to the dynamic change. The LOW LEVEL control is useful on most any kind of signal and is a little like upward compression with out attack and release times. The LOW LEVEL control can also have a multiplying effect on other plug-ins by increasing their effect. This control generates third harmonic distortion. It functions like an amplifier being over driven, but works more on the low level part of the signal and less on the high level part. It may also be thought of as a detail control. This control brings up the low level content of the audio. The first and most useful control is the LOW LEVEL control it is in the middle of the graphic. The controls in RA are divided into 4 groups. An analogy from photography, it is like the curve function. The plug-in can be thought of as an amplifier that is being over driven, (Wave Form Compression), but there is control over what part is being overdriven.
CRANE SONG PHOENIX VST PROFESSIONAL
Phoenix runs on all TDM Hardware: MIX, HD, Venue.RA is a Nonlinear plug-in for the professional Audio Engineers that demand the most from their plug-ins. The plug-ins can be somewhat subtle, but the cumulative affect when used on a number of tracks can bring back the warmth and richness which only analog recording has been able to provide. The PHOENIX plug-in suite provides a wide range of choices to make your digital world sound warmer, fatter, and more alive. A higher sample rate results in smother sounds. PHOENIX's color is dependent on signal level, program material and sample rate. It will run approximately twenty instances of a plug-in on a single DSP chip (an HD system running at a 44.1 kHz sample rate). Running within Avid's multi-shell architecture, PHOENIX is very DSP efficient.
CRANE SONG PHOENIX VST FULL
* Luster starts more gently than the other four processes, but becomes as aggressiveĪs Dark Essence when the process is at full scale. Increasing the apparent loudness of the rest of thesignal.) Range-when used on a vocal Dark Essence can reduce sibilance problems by (The effect is a color with a wider frequency * Radiant is characterized by a more aggressive compression curve Plug-in is the most similar to the tape knob on HEDD-192. * Iridescent has a similar magnetic character, but with a fatter bottom and midrange. * Luminescent is the most neutral sounding process of the five. The PHOENIX suite contains five separate plug-ins: When the input trim is at 0dB, (no change in gain) and no tape process is being added to the sound, the plug-in is bit accurate, meaning the output exactly matches the input. This can be useful on material that is hitting close to or at digital zero. The input trim can also be used to prevent clipping in the rare cases where clipping may be a problem. A level control determines the amount of the PHOENIX process integrated into the audio signal, and an input trim determines "how hard you hit the tape." Because the DSP process is level dependent, reducing the input level will also cause a change in sound. The Gold button is the position where the color is approximately flat in frequency response, with Sapphire being a bit brighter and Opal having a warmer tonality. Each one also incorporates a color change button allowing three choices to modify the process per plug-in. The five different "flavors" of PHOENIX can result in a much more musical and satisfying sound.Įach one of the five different TDM plug-ins emulate different tape characteristics. The result is that added realism that is missing in many modeled synths, EQs and digital samplers.
CRANE SONG PHOENIX VST PRO
PHOENIX is a TDM plug-in suite for Pro Tools HD that is designed to put analog color into the digital domain by increasing apparent loudness without increasing gain (e.g., by modeling analog tape compression).